Spaces
When I was little, I used to dream of turning our closed in side porch into a bedroom. It was just big enough for a mattress, surrounded by windows that stretched from the ceiling to midway down the wall, and I imagined lying on that mattress and staring out at snowflakes as they fell. It would be my own little hovel, shut off from the rest of the house by a heavy door connecting it to the foyer. I would stick something heavy in front of the door to the outside, a tall dresser, so no one could come in, and I would lay on the bed and revel in having this space all to myself, this space that was only big enough for me.
Lately I feel that way again. It’s part of what I love so much about this tiny first floor apartment in Iowa. It feels like a cave, partially underground, the bottom of the windows level with the grass outside. It’s just big enough for me and Jerod and the cats. Stuff is cluttered in everywhere, crowding in to wrap its arms around me and make me feel safe. I draw the blinds and sink into the couch and feel warm, unlike that apartment in Denver that was so big and wide and high, with cold hardwood floors. It was too exposed and sunny, cold, unlike the rest of the city.
I remember the thrill when I first found Best Food’s Mayonnaise in the grocery store in Denver. It was our first trip to King Soopers after we arrived. I was curious to know, after reading Tom Robbins’ “Till Lunch Do Us Part” in which he describes what he would want his last meal to be if he were on deathrow (a tomato sandwich on Wonder bread, smeared with a thick layer of Best Food’s mayonnaise, known as Hellman’s mayonnaise east of the Rockies), if Denver would have Hellman’s or Best Food’s mayonnaise, since technically it’s east of the Rockies, but so close to the Rockies that it could almost be classified as west, for regional food purposes. The grocery store shelves , though, were filled with both, side by side. For the longest time I bought only Best Food’s in an effort to convince myself that I was really in Denver. This was evidence. I held it in my hand. I used it on my sandwiches. It proved my existence in that beautiful mile high city even more than the teeny tiny bit of mountain that was visible outside the bedroom window if we leaned to the side just right.
Right now I long for mountains, for those black, foreboding shapes pasted against the sky that reminded me everyday that there were things in the world bigger than I am. I thought I wanted wide open spaces, skies that stretched as far as the eye can see, and maybe I do, but I know that deep down, when I’m given too many options, I don’t seem to know what to do with them.
Dried Out Thoughts
I’m sitting here tonight working on a revision of a story about my fear of turning into my mother. Part of the story takes place five years ago, right after I’d gotten back from studying Spanish in Mexico for the summer, right after I’d broken up with my boyfriend of five years and the guy I started dating dumped me for his best friend’s girlfriend. I dug out my old journal from that time, a blue notebook covered with irridescent sticker fish, their air bubbles floating on the cover right above their mouths, just out of their reach. I read back through it, searching for details that might make my story a stronger one. I found lines like this – “Is there a point to anything anymore? I can only convince myself that there is for a short time, then I realize that there’s really not. I’m tired of living waiting for what’s in the future. I want to live for what there is right now. Only – there is nothing.”
Oh, the angsty sentences of twenty-one. As depressed and miserable as I was back then, it really was fun to feel like I was caught up in a spiral of fate, when every feeling felt was brand new. It’s a strange thing when you have to squint to recognize yourself in your old thoughts. Not bad, just strange.
Congruent Daylight
When I was in elementary school, I remember learning about congruent objects in the enrichment classes I attended, and how if you folded them in half, one side would match the other side exactly. The teacher passed out sheets of paper filled with squares and circles and hexagons and pentagons and funny-shaped polygons that still, if you folded them along the dotted line, would match up side to side, and we spent a whole period folding pieces of paper to determine if they were congruent or not.
After we learned about congruent objects, I became obsessed with them. I stared at every object I saw, whether it was the kitchen table, an armchair, the television, or our cat, drawing a dotted line straight through the center of whatever the object was and mentally folding it in half. If folding it in half in one direction didn’t work (I couldn’t, no matter how hard I tried, draw a line across my cat’s back and fold it in half from head to tail and call that congruent), I would try folding it in the other direction, rotating the object in my mind. I wanted everything to be congruent, to match up nicely and neatly.
I’m sitting here at 9:30 a.m. this morning staring out the window at the bright morning light. I woke up at 8, a couple of hours earlier than I ordinarily wake up, but I start a new job on Monday that’s going to be Monday through Friday, 8:30 to 5, so I figured I’d start transitioning to that schedule this weekend so it won’t feel so shocking Monday morning. I like it, I think. The morning light seems to spark creativity. But yet, there’s something about it that’s not so different from the evening light. The street in front of my apartment is still covered with shadows that will shrink with the tick of the clock and then reappear again this evening, although in the opposite direction. If I could twist the day just a little at the center of it, spin its rubberiness around with a flick of my finger, fold it over and paste it on itself, it too would be almost congruent.
Lately I feel like even my weeks are congruent, with Saturday not looking so very different from Sunday, except that it brackets a different end of the week. Maybe even life is congruent, building to a peak in the center where you could slide your fingernail across and make a crease, except that at one end you’re heading out of the shadows and at the other, you’re heading into them.
-
Archives
- September 2009 (1)
- October 2008 (1)
- September 2008 (1)
- August 2008 (3)
- July 2008 (2)
-
Categories
-
RSS
Entries RSS
Comments RSS
